As for the Tokusatsu heroes themselves, we also need suits for them, as well as the enemies.Īs such, projects like these require a lot of time, money and talents being involved in the process. Examples being that there will be a lot of battles, enemies, different locations, action scenes, and CG.
However for Tokusatsu shows, there are a lot of things involved. Normally for a drama series, let’s say a family drama, the main plot would revolve around the family life, and a house that the family lives in as the setting would be sufficient. An instance being how long it took to create the project. When creating the project, have you been met with any difficulties or obstacles during the process?
KAMEN RIDER DECADE OPENING SERIES
I also had discussions with the series writers as well as the director to come up with completely new content for the project. I believe my experiences from casting in Kamen Rider Decade and Garo contributed a lot to coming up with ideas, and this project wouldn’t be idealised if I never had those casting experiences.
I took inspiration from a lot of sources, and I believe this is normally how a new series is created. The Malaysian roadshow at Starlight Fantasy had premiered the opening of the series, which hasn’t been released on social media yet.Īs for the Sentika Jisarisu project, did you come up with the ideas and motifs all by yourself? Masahiro Inoue: The roadshow will start on 7th May in Japan, but as you know, Malaysia will be among the first countries to have it. Follow us on Twitter Follow and Tweet us Tweet to you share more details of the roadshow for Sentika Jisarisu F8ABA6?
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